What makes a McCann poem is the relative ease with which he twists words, phrases and ideas. He turns them so quickly-slow that you don’t even notice the twists until you’re already caught up into them, making them one of the best examples of what can be called “serious play” in poetry (which can often seem a rarity, even through those who claim to be working within it). McCann makes his impromptu feats look deceptively simple, a leap and a twist in mid-air and a perfect landing, in a poetry that knows far more than it lets on.
rob mclennan writing on Force Quit (The Emergency Response Unit, 2008) in The Antigonish Review

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